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Flemish rigor and milanese elegance in Molteni&C|Dada mood by Vincent Van Duysen
With the language of art he has looked at the world from on high, from afar and close to, from inside and outside; he has recognised and deciphered the great transformations of the present day; he has revealed forms, lights, landscapes.
Red lines converse and run after each other. Between the strings of the armchairs, the texture of the velvets, the inside of the little table.
Intriguing and irregular, tha’s what Ron Gilad’s objects are like. They appeal because they have that ‘certain something’.
